THE STUDY OF FOCALIZATION IN THE NOVEL MY NAME IS RED

Mr. E Sathya Seelan, Dr. S. John Bosco

Abstract


My Name Is Red investigates the accounting procedure that Orhan Pamuk uses to test the subtleties of a homicide secret. My Name Is Red is an all-around made work that continues to move its storytellers in each section. This thesis comprises three sections the second being the center part, alongside the presentation and end. The initial section makes sense of what Focalization is and subtleties its significance alongside presenting the creator and his work. The subsequent part investigates how the writer has suggested the procedure of what Focalization in My Name Is Red. The closing section sums up the discoveries and examination in the first part. This article plans to illuminate the different dreams of non-human characters that show up in the book

My Name is Red Toss the utilization of Focalization, Pamuk licenses different characters both human and non-human to communicate their views. In the original, My Name is Red Orhan Pamuk licenses non-human characters like the Dog, Satan, Death, Horse, and, surprisingly, Red, to be the narrators, relating their own specific stories. Their singular stories strikingly frame their feelings and their perspective. Orhan Pamuk in his books breaks the record limitations and attracts himself to an assessment. Pamuk joins the device of Postmodernism and the edge work of history meeting solid response inside Turkish Artistic design. His creative works which are Postmodern engage assorted voices to enter the field of narrative substance.  Focalization is detailed in the book Narrative Discourse by Genette, he helps us to understand the theory with different examples. The researcher has employed all the terms to understand the theory better with the novel My Name is Red.


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References


Pamuk, Orhan. My Name Is Red. Translation: Erdag.M.Goknar, 2001.

Genette, Gerard. Narrative Discourse. Cornell University Press, 1980.

Feride, Cickoglu. “Difference, Visual Narration, and “Point of View” in My Name is Red”The Journal of Aesthetic Education 37.4 (2003): 124-137. Project MUSE. Web. 3 Jan. 2013.

Cohn, Dorrit. Transparent Minds: Narrative Modes for Presenting Consciousness in Fiction. Princeton: Princeton UP. 1978.

Iser, Wolfgang. The Implied Reader: Patterns of Communication in Prose Fiction From Bunyan to Beckett. Baltimore: Johns Hopkins UP. ([1972] 1974)


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