Feminizing The War Novel: A Study Of Half Of A Yellow Sun

Ms. R. Vidhya, Sudharshanaa. C, Dr. Jai Singh, Dr. G. Youveniya, M. Murugan

Abstract


Half of a Yellow Sun” serves as a powerful exploration of the horrors of war and its devastating effects on its victims. The novel introduces a diverse cast of characters, each navigating their own struggles and transformations as they grapple with the war’s devastation. Three central narrators guide the narrative: Ugwu, a young village boy who becomes a houseboy; Olanna, Odenigbo’s girlfriend, a complex and educated woman dealing with her insecurities; and Richard, an idealistic Englishman deeply in love with Kainene, Olanna’s twin sister and a formidable businesswoman. The novel portrays the resilience of the human spirit in the face of overwhelming adversity and offers a poignant reflection on the enduring scars left by conflict. Adichie’s portrayal of the characters’ resilience underscores the remarkable determination of humanity, even in the face of unimaginable adversity. For Olanna, the end of the war holds the promise of an opportunity to search for her lost twin sister, Kainene. The novel poignantly captures a nation’s disintegration and descent into chaos, underscoring the suffering of ordinary people. It emphasizes the significance of everyday details and comforts that were once taken for granted but now assume monumental importance in the context of war. Despite the hardships, the characters continue to love, marry, and seek traces of normalcy amid the chaos.


Keywords


Horrors of war, Nation’s disintegration, Struggles and transformations

Full Text:

PDF

References


Adichie, Chimamanda Ngozi. Americanah. London. Fourth Estate, 2013.

---. Half of a Yellow Sun. 2006. London: Harper Perennial, 2007.

Bryce, Jane. “What is the Country? Reimagining National Space in Women’s Writing on the Biafran War.” Writing the Nigeria-Biafra War, edited by Toyin Falola and Ogechukwu Ezekwem, James Currey, 2016, pp. 423–53.

Chukwuma, Helen. Feminism in African Literature: Essays on Criticism. Enugu [Nigeria]: New Generation Books, 1994.

Cooper, Brenda. A New Generation of African Writers: Migration, Material Culture and Language. Woodbridge, Suffolk; Rochester, NY: Scottsville, S.A: James Currey, 2008.

Coundouriotis, Eleni. The People’s Right to the Novel: War Fiction in the Postcolony. Fordham UP, 2014.

Dathorne, O. R. African Literature in the Twentieth Century. London: Heinemann, 1974.

Dickson C, Bernard. , and Kinggeorge Okoro Preye. “History, Memory and the Politics of National Unity in Adichie’s Half of a Yellow Sun and Achebe’s There was a Country.” IJSELL 2.5 (2014): 81-89.

Kalu, Anthonia C. ed. Anthology of African Literature. New Delhi: Viva Books, 2008.

Kerfoot, Alicia L., and Douglas Killam. Student Encyclopaedia of African Literature. London: Greenwood, 2008.

Khedekar, Amol Digambar. “The Politics of Hair in Chimamanda Ngozi Adichie’s Americanah.” GJMS 3.12 (2014): 38-40.

Mabura, Lily G. N. “Breaking Gods: An African Postcolonial Gothic Reading of Chimamanda Ngozi Adichie’s Purple Hibiscus and Half of a Yellow Sun”. Research in African Literatures 39.1 (2008): 203–222.

Makokha, Gloria Ajami. “Portrayal of the African Woman in Half of a Yellow Sun.” JRPGD 4.6 (2014): 111-120.

Nadaswaran, Shalini. “Rethinking family Relationships in Third-Generation Nigerian Women’s Fiction.” RELIEF 5.1 (2011): 19-32.


Refbacks

  • There are currently no refbacks.


Creative Commons License
This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.

Journal of Language and Linguistic Studies
ISSN 1305-578X (Online)
Copyright © 2005-2022 by Journal of Language and Linguistic Studies